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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor相关搜索：荣耀六十年1938爱奇艺在线荣耀六十年1938优酷在线荣耀六十年1938西瓜影音荣耀六十年1938百度百科荣耀六十年1938预告片荣耀六十年1938原著荣耀六十年1938什么时候播荣耀六十年1938小说原著荣耀六十年1938全集免费播放荣耀六十年1938豆瓣评分荣耀六十年1938演员表剧情片荣耀六十年1938评价荣耀六十年1938大结局荣耀六十年1938多少集荣耀六十年1938图片荣耀六十年1938定档剧情片荣耀六十年1938好看吗荣耀六十年1938剧情分集介绍荣耀六十年1938在哪个台播出荣耀六十年1938人物关系荣耀六十年1938角色介绍荣耀六十年1938更新时间
1.请问哪个平台可以在线观看剧情片《荣耀六十年1938》？
神马影院网友：荣耀六十年1938高清无广告在线播放地址http://www.dongfeifu.cn/detail-130689.html
2.剧情片《荣耀六十年1938》上映时间？
3.剧情片《荣耀六十年1938》演员列表？
365影院网友：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smi
4.网友怎么评价《荣耀六十年1938》？
Mtime网友：这个题材，做成这样，真的很不容易了。尤其是，影片在影像上非常有特点，大量的特写镜头、跟拍、手持，以及碎片式剪辑，营造出强烈的恐慌与不安感。这种情绪，其实就是角色在片中的情绪，它以影像的方式，最直接延伸给观众。
丢豆网网友：一个好的导演，是会调教演员的，知道演员的优势在哪里。《荣耀六十年1938》像极了一道来自异域的夏日甜品，虽然不是主菜的配置，但却也有着勾人的独特风情。坦白说，最初的确是冲着Herbert,Wilcox导演的名号看的，毕竟人家讲故事的功力摆在那里，但一开始就入了坑也是我怎么都没料到的。
豆瓣网网友：放在豆瓣语境下，是部时至今日终于拍出来的英国 “高分剧情片”。拿现实题材拍商业类型片，社会意义摆在那，群戏也处理得相当不错。对我们国家而言，这样的电影多一部是一部，走一步是一步。
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