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热门搜索：欧洲的某个地方完整版免费观看、欧洲的某个地方高清在线观看、欧洲的某个地方免费在线观看
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更新时间：2024-04-16 00:50:08
导演：Radványi,Géza
主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.相关搜索：欧洲的某个地方爱奇艺在线欧洲的某个地方优酷在线欧洲的某个地方西瓜影音欧洲的某个地方百度百科欧洲的某个地方预告片欧洲的某个地方原著欧洲的某个地方什么时候播欧洲的某个地方小说原著欧洲的某个地方全集免费播放欧洲的某个地方豆瓣评分欧洲的某个地方演员表剧情片欧洲的某个地方评价欧洲的某个地方大结局欧洲的某个地方多少集欧洲的某个地方图片欧洲的某个地方定档剧情片欧洲的某个地方好看吗欧洲的某个地方剧情分集介绍欧洲的某个地方在哪个台播出欧洲的某个地方人物关系欧洲的某个地方角色介绍欧洲的某个地方更新时间
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2.剧情片《欧洲的某个地方》上映时间？
3.剧情片《欧洲的某个地方》演员列表？
365影院网友：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
4.网友怎么评价《欧洲的某个地方》？
Mtime网友：这个题材，做成这样，真的很不容易了。尤其是，影片在影像上非常有特点，大量的特写镜头、跟拍、手持，以及碎片式剪辑，营造出强烈的恐慌与不安感。这种情绪，其实就是角色在片中的情绪，它以影像的方式，最直接延伸给观众。
丢豆网网友：一个好的导演，是会调教演员的，知道演员的优势在哪里。《欧洲的某个地方》像极了一道来自异域的夏日甜品，虽然不是主菜的配置，但却也有着勾人的独特风情。坦白说，最初的确是冲着Radványi,Géza导演的名号看的，毕竟人家讲故事的功力摆在那里，但一开始就入了坑也是我怎么都没料到的。
豆瓣网网友：放在豆瓣语境下，是部时至今日终于拍出来的其它 “高分剧情片”。拿现实题材拍商业类型片，社会意义摆在那，群戏也处理得相当不错。对我们国家而言，这样的电影多一部是一部，走一步是一步。
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